Posts tagged bon soir
‘Sam Bendrix at the Bon Soir’ charms at City Theatre
Tuesday, November 22, 2011
By Bob Hoover, Pittsburgh Post-Gazette
City Theatre has discovered an effective time machine and finely tuned it to 1958 to re-create the mood and music of that year for its charming “Sam Bendrix at the Bon Soir.”
It’s the premiere of Keith Bunin’s emotional biography of a gay man looking for love in the wrong decade framed with evocative romantic show songs of the mid-20th century.
Reminding us a bit of “Mad Men’s” Don Draper in his white shirt, narrow tie and slick hair, Luke Macfarlane plays Sam with an understated tenderness and regret tinged with hope. Bartender and fill-in singer at the tiny Bon Soir club in New York’s Greenwich Village, Sam is saying farewell to his unhappy Manhattan history with a final performance.
Pittsburg Post-Gazette’s review of Sam Bendrix
NOVEMBER 23, 2011
Sam Bendrix at the Bon Soir
While the show at present isn’t what playwright Keith Bunin wants it to be, what it is is swell.
BY TED HOOVER
Boy — if there was ever a show with my name written all over it, it’s Keith Bunin’s Sam Bendrix at the Bon Soir, now world-premiering at City Theatre. Mark Rucker directs Luke Macfarlane (late of TV’s Brothers & Sisters) in the role of Sam Bendrix — a bartender at the legendary New York cabaret in 1958 — who has coerced the owners into letting him perform for one night only. And thanks to a few too many cocktails, his between-song patter turns into self-confession.
Pittsburgh City Paper’s review of Sam Bendrix
Review: ‘Sam Bendrix’ a tribute to dreams of a bygone era
By Alice T. Carter, PITTSBURGH TRIBUNE-REVIEW
Thursday, December 1, 2011
Playwright Keith Bunin arrived in Greenwich Village long after the Bon Soir and the era in which it lived had passed into history.
So, his play “Sam Bendrix at the Bon Soir,” which is playing at City Theatre through Dec. 18, is woven from threads of fact and fiction, reality and creativity.
“I guess Sam Bendrix is a version of the person I might have been,” writes Bunin in his program notes. The play, Bunin explains: “is my attempt to pay tribute to the men and women who walked the streets of downtown New York long before I got there: the people who paved the way.”
TribLive’s review on Sam Bendrix
Luke Macfarlane steps into role of volatile singer in City’s ‘Sam Bendrix’
Thursday, November 17, 2011
By Sharon Eberson, Pittsburgh Post-Gazette
Imagine you are seated in a smoky cafe in 1950s New York, ready for a night of same-old, same-old as a young man and three-piece band perform a cabaret act of popular music. The city outside bustles to a cultural sea change that’s exploding artistic norms.
If you’ve arrived at the scene, you have found your way to the other side of the time tunnel where performer Luke Macfarlane and writer Keith Bunin hope to lead audiences experiencing “Sam Bendrix at the Bon Soir,” a world premiere at City Theatre’s intimate Lester Hamburg theater.
The one-man show includes music by Cole Porter, Leonard Bernstein and the Gershwins within the structure of a cabaret act that turns out to be a confessional by Sam. He is saying goodbye to New York, where he had come from a small town, like so many others, and things hadn’t turned out quite as he planned.
Sitting in a Starbucks on the South Side on a spring-like day a couple of weeks ago, Mr. Macfarlane and Mr. Bunin discussed the collaboration that has brought this project to City. “Sam Bendrix” strives to generate the feeling of a time and place while incorporating some of the lesser-known songs by big-name composers of the era. And it’s about what it meant to be gay in 1958, when the play is set.
“If you were from a small town in the middle of the country you might not know any other people like you, and it led to a sort of influx into the cities and it created this New York City life that really was unprecedented,” Mr. Bunin said. “We were also interested in the ways things were very open and very coded, and the incredible things that were going on artistically. Like the Beat generation, the modernist painters … Jackson Pollock, Frank O’Hara, ‘West Side Story,’ … Jack Keroauc, Allen Ginsberg …”
“It’s so interesting to really look at this history and you say, ‘Oh my God, these things were happening at the exact same time.’ It’s shocking,” Mr. Macfarlane said.
More of the article
‘Sam Bendrix’ hits the highlights of a heyday
By Alice T. Carter, PITTSBURGH TRIBUNE-REVIEW
Wednesday, November 16, 2011
Last updated: 1:38 pm
Luke Macfarlane wants to make one thing clear about “Sam Bendrix at the Bon Soir.”
“It is not a cabaret act,” he says. “It’s a beautiful, delicate play, a one-man show disguised as a cabaret act.”
Some confusion is inevitable.
The play takes place in 1958 in the Bon Soir, a legendary nightclub where performers including Barbra Streisand and Phyllis Diller got their starts.
The Bon Soir was a smoky, intimate venue where well-dressed, diverse audience — blacks and whites, straights and gays — gathered to hear music by legendary songwriters such as Cole Porter, Leonard Bernstein and the Gershwins. It was an era before rock ‘n’ roll, the Stonewall riots, the Civil Rights struggle and the Vietnam War changed the world.
“It was an intimate world — a club where so many different parts of New York could get together,” Macfarlane says.
Sam Bendrix at the Bon Soir article